Zhang Xiaopeng
Journal of Information and Management.
Online available: 2026-07-22
As the native heritage of information civilization, digital artifacts face preservation and conservation challenges fundamentally distinct from those confronting traditional material cultural heritage. Traditional cultural heritage conservation centers on material analysis, deterioration identification, and physicochemical intervention, adhering to the three principles of minimal intervention, reversibility, and prevention. By contrast, digital artifacts, as "dependent life forms," do not suffer from
deterioration from intrinsic material decay; rather, their deterioration stems from the external rupture of preservation environments, storage media, and ecological chains. Grounded in the methodology of living archaeology and extending the dual-track classification system of digital artifacts, this paper proposes the core thesis that "preservation is conservation," arguing that its scope is strictly limited to intangible paradigm legacies and software-based tangible products. It then constructs a dual-track conservation framework centered on ecological-chain preservation, presenting specific methods including emulation, migration, encapsulation, and Docker containerization. Simultaneously, responding to the conservation needs of hardware-based tangible product legacies, it advances a parallel-track strategy of "traditional conservation plus ecological-chain preservation." Meanwhile, only by embedding digital artifacts within a dynamic ecological chain can their cultural value and historical significance as living heritage be sustained.